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Aeneas at the Court of Latinus

Consul Titus Manlius Torquatus Beheading His Son

Jacob's Dream

Roelof Meulenaer

Venus and Adonis


Ferdinand Bol (24 June 1616 – 24 August 1680) was a Dutch artist, etcher, and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery.[1]

The street Ferdinand Bolstraat in Amsterdam was named after Bol.

Ferdinand was born in Dordrecht as the son of a surgeon, Balthasar Bol.[2] Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and/or of Abraham Bloemaert in Utrecht. After 1630 he studied with Rembrandt, living in his house in Sint Antoniesbreestraat, then a fashionable street and area for painters, jewellers, architects, and many Flemish and Jewish immigrants.[3] In 1641 Bol started his own studio.
Governors of the Wine Merchant's Guild Alte Pinakothek

In 1652 he became a burgher of Amsterdam, and in 1653 he married Elisabeth Dell, whose father held positions with the Admiralty of Amsterdam and the wine merchants' guild, both institutions that later gave commissions to the artist. Within a few years (1655) he became the head of the guild and received orders to deliver two chimney pieces for rooms in the new town hall designed by Jacob van Campen, and four more for the Admiralty of Amsterdam.

Portrait of a Woman Dressed as a Huntress by Ferdinand Bol, courtesy Figge Art Museum

Around this time, Bol was a popular and successful painter. His palette had lightened, his figures possessed greater elegance, and by the middle of the decade he was receiving more official commissions than any other artist in Amsterdam.[4] Godfrey Kneller was his pupil.[5] Bol delivered four paintings for the two mansions of the brothers Trip, originally also from Dordrecht.[6]

Bol's first wife died in 1660. In 1669 Bol married for the second time to Anna van Erckel, widow of the treasurer of the Admiralty, and apparently retired from painting at that point in his life.[7] In 1672 the couple moved to Keizersgracht 672, then a newly designed part of the city, and now the Museum Van Loon. Bol served as a governor in a Home for Lepers. Bol died a few weeks after his wife, on Herengracht, where his son, a lawyer, lived.

Probably his best known painting is a portrait of Elisabeth Bas, the wife of the naval officer Joachim Swartenhondt and an innkeeper near the Dam square. This and many other of his paintings would in the 19th century be falsely attributed to Rembrandt.

an overview of Bol's life and work

^ Ferdinand Bol biography, Getty Museum
^ Twenty years later visiting Ferdinand, Balthasar was painted by Rembrandt.
^ Immediate neighbors included Hendrick van Uylenburg, who rented from Nicolaes Eliasz. Pickenoy, and Govert Flinck. Pieter Lastman and David Vinckboons lived across the bridge.
^ Biography, Getty Museum
^ Blankert, A. (1976) Ferdinand Bol.
^ Schwartz, G. (1984) Rembrandt, zijn leven, zijn schilderijen, (= his life, his paintings) p. 206.
^ Crenshaw, P. (2006) Rembrandt's Bankruptcy. The artist, his patrons and the art market in seventeenth-century Netherlands, p. 40.

Wikimedia Commons has media related to: Ferdinand Bol
External links

Ferdinand Bol page at the Rijksmuseum's web site with the famous portrait of Elisabeth Bas.
Works and literature at PubHist
Portrait of a gentlemen
Two paintings by Bol for the townhall, click "verder" to see the second one
Ferdinand Bol. Paintings

From Wikipedia. Text is available under the Creative Commons Attribution-ShareAlike License

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