* Bacchus and Young Satyr:, marble, Louvre Museum. Signed F. SUS
* Venus Burning the Arrows of Love and Venus Chastising love bronzes, Louvre Museum, both signed and dated 1
* Francesco Susini bronze table sculptures at the J. Paul Getty Mus
* Frick Collection: ar @import url(http://www.google.com/cse/api/branding.css); .ds4 /*agl rulekind: base;*/ { font-size: 16px; } .ds6 /*agl rulekind: base;*/ { font-size: 22px; } .ds9 /*agl rulekind: base;*/ { font-size: 24px; } #apciframe { } .ds10 /*agl rulekind: base;*/ { font-size: 30px; } onze, Liechtenstein Collection, Vien
* David with the Head of Goliath: bronze, Liechtenstein Collection, Vien
* Patricia Weingraf, "Putto Holding a Bird, Seated on a Tree-Stump" With bibliography. na. na. hi. ini zes eum 639 INI p> References p>. ^ The Grove Dictionary of Art gives a da"http://augusta-stylianou.artistwebsites.com/"lking hors"../images/BannerS.jpg"ini was sold as a work by Giambologna by the art dealer Marcus Forchoudt in Antwerp to Prince Johann Adam Andreas I von Liechtenstein in 1696. See referen
3. ^ The sculpture was then in the collection of Scipione Borghese; now in the Louvre). A signed bronze reduction of the Borghese Hermaphroditus is at the Metropolitan Muse
4. ^ (an exa"http://affiliates.allposters.com/PosterStore/543822_PosterStore.asp"he Liechtenstein Museum, Vien
6. ^ On the basis of the Louv"http://affiliates.allposters.com/link/redirect.asp?AID=472820166&PSTID=5<ID=16&lang=1"n the Baptist just over a metre tall, at the National Gallery, Washington [press release, 23 December 200
"http://www.augustastylianougallery.com"among the group of bronzes by Susini in the Prince Karl Eusebius von Liechtenstein’s Quardaroba inventory of 1658, that are in the Liechtenstein Museum, Vienna. A further example of this is at the Metropolitan Muse
"http://augusta-stylianou.artistwebsites.com/"ngton DC. "../images/Adds3.gif"s by Antonio and Giovanni Francesco Susini in the Smith Collection um. 5]. na) na) um. ce. p>sp>ni, Piero Francavilla, and Pietro Tacca were contemporaries and pupils of Giambologna. Tacca is considered Giambologna's main pupil, and he worked mainly on larger bronzes.p>eme of Giambologna's in which Susini excelled was the dynamic and age-old theme of animals in combat, for which Hellenistic prototypes, available to artists in Rome in rediscovered Roman copies, provided inspiration. For example, the first of the pair of bronzes, Lion Attacking a Horse and Leopard Attacking a Bull, given to Frick Collection, New York, 2004, was inspired a fragmentary marble lion with torso of a horse, exhibited on the Campidoglio in the artist's lifetime.p>ni continued to operate the family bronze foundry. According to Baldinucci, Giovanni and Antonio Susini continued to use Giambologna's models after the elder master's death to cast finely finished bronze sculptures for discerning patrons. Like Giambologna, Susini's own designs characteristically employ two or three figures in complicated, balanced relationships meant to be appreciated from multiple viewpoints, as represented by the Abduction of Helen (Dresden and Getty Museum), two versions of Venus and Love (Louvre), David with the Head of Goliath (Liechtenstein collection, Vaduz) an analogue of the Ludovisi Mars in Rome, or Venus and Adonis[8] provide characteristic examples of Susini's finely cast and finished table sculptures, meant to be appreciated at close range and admired from all sides. Most of his output of small bronzes could be profitably sold and transported to buyers outside of Tuscany.p>Susini works bear his signature. A signed Bacchus is at the Louvre Museum[6]. There are some signed bronze statuettes; the Abduction of Helen, signed and dated 1627 in the J. Paul Getty Museum, Los Angeles; Venus Burning the Arrows of Love signed IO. FR. SUSINI-FLOR. F. MDC. XXXIX and Venus Chastising Love signed IO. FR. SUSINI FLOR. FAC. M. DC. XXXVIIII[7], both of which André Le Nôtre gave to his patron Louis XIV in 1693, together with a Gaul Committing Suicide that is inspired by a well-known a Hellenistic marble (all now at the Louvre).The bronze David with the Head of Goliath in the Liechtenstein Museum, Vienna, is signed FRAN.SVSINI F..p>first independent Medici commission was a bronze bas-relief for a chapel altar in 1614. Medici patronage required teamwork: the sculptor Orazio Mochi (died 1625) was given the challenge—unlikely to have been the sculptor's choice— of turning a genre subject suited to painting, two players at the roughouse game of Sacchomazzone, into a sculpture for the Boboli Gardens. Assisted at first by Romolo Ferrucci del Tadda (died 1621), Susini reduced the subject to a small bronze, and set it on a small oval plinth to emphasize the tour-de-force of wildly thrashing figures [5]. Other Susini sculptures contribute to the over-all effect of the Boboli Gardens: Cupid Breaking a Heart with a Hammer and Cupid Shooting an Arrow are part of the elaborate allegorical scheme of the "Island Basin" (the Vasca dell'Isola) located on the secondary axis. In 1615, he created the two acquasantiere of bronze on the columns in front of the main entrance of Santissima Annunziata.p> sculptor, Susini is known for some public commissions, such as th"../ArtGalleryA.html"o ("Artichok"../ArtGalleryB.html"1), that stands c"../ArtGalleryC.html"o nobile windows "../ArtGalleryD.html"s garden façade."../ArtGalleryE.html"inal ensemble, ac"../ArtGalleryF.html"cler of artists F"../ArtGalleryG.html"d been completed "../ArtGalleryH.html" but like many pr"../ArtGalleryI.html"ici Grand Dukes, "../ArtGalleryJ.html"am project with a"../ArtGalleryK.html" For example, som"../ArtGalleryL.html"ready been sculpt"../ArtGalleryM.html"stants by 1621.p>ontinued to work in Giambologna's style, and Susini's sc"../ArtGalleryN.html"istaken for that "../ArtGalleryO.html"end of the centur"../ArtGalleryP.html"nio Susini, was t"../ArtGalleryQ.html"aster of Giambolo"../ArtGalleryR.html"ancesco received "../ArtGalleryS.html"unior member of G"../ArtGalleryT.html". A trip to Rome "../ArtGalleryU.html"irst-hand experie"../ArtGalleryV.html"que, 16th century"../ArtGalleryW.html"roque statuary, l"../ArtGalleryX.html"Bernini's youthfu"../ArtGalleryY.html"but his own Manne"../ArtGalleryZ.html"y matured. He made wax copies of the recently-discovered Borghese Hermaphroditus for casting upon his return to Florence.[3] His bronze reduction of the Laocoön [4] is likely based on the copy of it in Florence.p> Giovanni Francesco (Gianfrancesco) Susini (Florence c 1585[1] Florence – after 17 October 1653) was a Mannerist Florentine sculptor in bronze and marble, trained in the workshop of Giambologna. p>
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Augusta Stylianou Gallery |
